ULEMHAS Review
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The ULEMHAS Review is a high-quality academic journal, published annually with one supplement. It commissions articles from leading scholars on current trends and research in the History of Art. It also provides book reviews, topical news, and a list of current art exhibitions in the London area. In addition. the Review gives full coverage of the programme of lectures, study days and visits organised by the society, and it offers the Members' Forum - a platform for debate for members. The journal is provided free to members of the society as part of their membership package. Issues may be read online (apart from the most recent) by clicking on a cover image below. The review is also held in the Birkbeck Library, where access to back copies may be obtained.
To read an issue of the ULEMHAS REVIEW as an Adobe PDF file, click on the image of its cover.
Review Two is our annual newsletter, issued at the end of each year to members. It features Society news, programme updates, accounts of past events, and often short papers and reviews.
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2011 Review |
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| Leonardo da Vinci: Painter at the Court of Milan | Luke Syson and Per Rumberg | ||
| Dante Gabriel Rossetti: The Anatomy of Desire | J.B.Bullen | ||
| Slaves to Fashion: Jan Gossaert and Renaissance Art | Richard Williams | ||
| Changes at the Courtauld Gallery | Caroline Campbell | ||
| The Chapel of the Holy Cross at Vézelay | Alexandra Gajewski | ||
| Far Afield and not so Far at the Royal Academy | Elizabeth Lowry-Corry | ||
| Book List | |||
| The Primacy of Drawing by Deanna Petherbridge | Elizabeth Lowry-Corry | ||
| Art: The Whole Story, Ed. Stephen Farthing | Elizabeth Lowry-Corry | ||
| Romantic Moderns by Alexandra Harris | Rosemary Clarke | ||
| Lost Victorian Britain by Gavin Stamp | Rosemary Clarke | ||
| The Temple Church in London, Ed. Robin Griffith-Jones and David Park | Anne Scott | ||
| Mirror of the World byJulian Bell | Elizabeth Lowry-Corry | ||
| Destination Art by Amy Dempsey | Rosemary Clarke | ||
| The Art of Anglo-Saxon England by Catherine E. Karkov | Rosemary Clarke | ||
| Marking the Hours by Eamon Duffy | Jacqueline Leigh | ||
| Caravaggio by Andrew Graham-Dixon | Robin Rhind | ||
| The Hare with Amber Eyes by Edmund de Waal | Jacqueline Leigh | ||
| ULEMHAS Programme 2011-2012 | |||
| Review Two - December 2011 | |||
| 2011 | Jacqueline Leigh | ||
| Venues | |||
| Birkbeck History of Art Society | |||
| Subscriptions | |||
| Committee & Contacts | |||
| Strethall Lectures 2012 | |||
| Autumn visit to Antwerp | Anne Scott | ||
| Programme 2012 and Autumn Preview | |||
| Last Chance to See | Liz Newlands | ||
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2010 Review |
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| Gauguin: Maker of Myth | Belinda Thomson and Christine Riding | ||
| 'A Hand Obedient to the Mind': Michelangelo's writings on sculpture | Ann Halliday | ||
| The Flemish Invention of Landscape. | Clare Ford-Wille | ||
| Picasso in 1932: uncanny eroticism? | Neil Cox | ||
| John McNeill: An Appreciation | Jacqueline Leigh | ||
| Far Afield and not so Far at the Royal Academy | Elizabeth Lowry-Corry | ||
| Book Reviews | |||
| John Piper, Myfanwy Piper by Frances Spalding | Susan Richards | ||
| Merchants, Princes and Painters by Lisa Monnas | Elizabeth Lowry-Corry | ||
| Review Two - December 2010 | |||
| Help: The procession to Calvary by Pieter Brueghel the Younger | |||
| ULEMHAS Study Tour to Burgundy 15 to 22 April 2010 | Janice Price | ||
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200 years old... The Dulwich Picture Gallery |
Janice Price | ||
| Programme 2011 update | |||
| Exhibitions 2011 update | Liz Newlands | ||
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2009 Review |
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| The Sacred Made Real | Susan Wilson | ||
| The Lord of the Manor's Psalter and the Poor Man's Bible | Michelle P. Brown | ||
| Thomas Hudson and the Foundling Hospital | Jim Gledhitt | ||
| Herculaneum: The Last 300 Years and the Future | Christina Grande | ||
| The Rembrandt Research Project: An Assessment | Adrian Esdaile | ||
| Book Reviews | |||
| If the Paintings Could Talk by Michael Wilson | Ann Halliday | ||
| Cave Art by Jean Clottes | Jacqueline Leigh | ||
| Review Two - December 2009 | |||
| ULEMHAS and the Birkbeck Students’ Union | Bill Measure | ||
| ULEMHAS study tour to Toulouse | Bill Measure | ||
| The V&A opens the new Medieval and Renaissance Galleries | Liz Newlands | ||
| Birkbeck History of Art Society and ULEMHAS | |||
| ULEMHAS study days at the Institute of Historical Research | Bill Measure | ||
| The William Morris Gallery redevelopment appeal | Friends of the William Morris Gallery |
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2008 Review |
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| Renaissance Faces | Elena Greer | ||
| The Embellishment of the Crystal Palace | Mike Davies | ||
| A Little-known Drawing from the Workshop of Vittore Carpaccio | Caroline Brooke | ||
| Henry Tonks: Artist and Surgeon | Mike Smith | ||
| Paint and its use in the Restoration of Buildings | Catherine Hassall | ||
| Book Reviews | |||
| Mirror of the World by Julian Bell | Elizabeth Lowry-Corry | ||
| Edvard Munch by Sue Prideaux | Susan Richards | ||
| Review Two - December 2008 | |||
| Tour of Northern French cathedrals 23rd - 27th October 2008 | Susan Richards | ||
| Book Review | |||
| How to Read Buildings by Carol Davidson Cragoe | Ann Halliday | ||
| "A Cloister a Day": the study tour to Catalonia, April 2008 | Liz Newlands | ||
| Exhibition Review | |||
| Renaissance Faces: Van Eyck to Titian, The National Gallery 15th October 2008 - 18th January 2009 | Elizabeth Lowry-Corry | ||
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2007 Review |
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| Renaissance Siena: Art for a City | Simona Di Nepi | ||
| Sir John Soane's Museum: 'The Union of Architecture, Sculpture and Painting' | Helen Dorey | ||
| Angst and plaster: aspects of post World War II British sculpture | Mike Smith | ||
| Lord Capel's Garden | Celia Fisher | ||
| Strawberry Hill: its past and its future | Michael Snodin | ||
| Book Reviews | |||
| Architecture and Society in Normandy 1120-1270 by Lindy Grant | Anne Scott | ||
| Sir Ninian Comper by Anthony Symondson and Stephen Bucknell | Claire Andrews | ||
| Review Two - December 2007 | |||
| The First Emperor: China’s Terracotta Army | Elizabeth Lowry-Corry | ||
| Dr Kay’s legacy - Précis of theses | |||
| The Venice Biennale and developments of technology in art |
Francesca Franco |
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| Films Bring Art to the People: The Origins and Developments of the Film on Art in Post-War Britain (1940-1980) |
Katerina Loukopoulou |
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| Places of Projection: Re-contextualising the European Experimental Film Canon | Maximiliane Zoller | ||
| A Space for the Imagination: Depicting Woman Readers in the Nineteenth-Century City | Kathryn Brown | ||
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2006 Review |
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| Holbein in England | Tim Batchelor | ||
| Why Medieval Old Sarum? | John McNeill | ||
| The Goldsmith’s Art in Renaissance Italy | Donal Cooper | ||
| The Illuminator: Master in Miniature? | Valerie Nunn | ||
| Velázquez | Simona Di Nepi | ||
| Book Reviews | |||
| The Mirror of the Gods by Malcolm Bull | Ann Halliday | ||
| The Vexations of Art Velázquez and Others, by Svetlana Alpers | Elizabeth Lowry-Corry | ||
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Review Two - December 2006 |
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| ULEMHAS IN 1981 - how we started | Claire Andrews | ||
| The 2006 ULEMHAS Study Tour | Anne Scott | ||
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2005 Review |
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| Samuel Palmer (1805-1881) Vision and Landscape Exhibition | William Vaughan | ||
| Turner as Pupil and Teacher | Andrew Wilton | ||
| Leonardo da Vinci’s Portrait of Isabella d’Este | Francis Ames-Lewis | ||
| Some Collectors and their Collections at Glynde Place | Cara Bird & Elizabeth Lowry-Corry |
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| How Reading History of Art can Change Your Life | Claire Gapper | ||
| Book Reviews | |||
| The Medieval Stained Glass of Wells Cathedral, by Tim Ayers | Anna Eavis | ||
| Hawkwood by Frances Stonor Saunders | Liz Newlands | ||
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Review Two - December 2005 |
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| Dr Phyllis Kay 1902-2005 | Lynne Mirrey | ||
| An Experimental Study Trip - Ashmolean Museum, May 2005 | Anne Scott | ||
| ULEMHAS Study Trip - Rome, April 2005 (with John McNeill) | Elizabeth Lowry-Corry | ||
| The Portrait Miniatures at the V & A | Ann Halliday | ||
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2004 Review |
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Raphael: From Urbino to Rome |
Carol Plazzotta | ||
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Limoges Painted Enamels |
Erika Speel | ||
| Rewriting His Story: Feminist Art Practices Since the 1970s | Catherine Mason | ||
| Hogarth and Garrick: The Artist, The Actor and The ‘Imitation of Nature’ | Catherine Parry-Wingfleld | ||
| The Future of History of Art and Architecture at FCE | Elizabeth McKellar | ||
| Book Reviews | |||
| Westminster Abbey The Lady Chapel of Henry VII Ed. Tim Tatton-Brown & Richard Mortimer | Anne Scott | ||
| Cellini by Derek Parker | Ann Halliday | ||
| Review Two 2004 | |||
| Professor Peter Lasko CBE 1924-2003 | |||
| West London Walks | Donald O'Connell | ||
| Exhibition Review | |||
| Peter Paul Rubens Saved (NACF) | Rosalind Ross | ||
| Fleming Collection | |||
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2003 Review |
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Preview of the Late Gothic Exhibition |
Eleanor Townsend | ||
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The Battle for Culture: Tradition & Modernism in Fascist Italy and Germany |
Anna Leung | ||
| The Travels of Correggio’s School of Love | Norman Coady | ||
| Commissioned Visions | Roger Tolson | ||
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Platonic Geometry and the Cathedral of Bourges |
Anne Scott | ||
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Recollected in Tranquillity: the founding of ULEMHAS |
Claire Andrews | ||
| Book Reviews | |||
| Hand, Head and Heart by Hazel Morris | Claire Andrews | ||
| Medieval Architecture by Nicola Coldstream | Elizabeth Lowry-Corry | ||
| The East Cloister Walk of Saint-Aubin at Angers by John McNeill | Anne Scott | ||
| In this issue Claire Andrews describes the founding of the University of London Extra-Mural History of Art Society — ULEMHAS. A decade later, when another funding crisis caused the abolition of the Extra-Mural Department, Birkbeck College took over its Diploma programme, which now flourishes as part of the Faculty of Continuing Education. | |||