ULEMHAS Review
| ABOUT US |
| CONTACTS |
| PROGRAMME |
| PUBLICATIONS |
| JOIN US |
| LINKS |
The ULEMHAS Review is a high-quality academic journal, published annually with one supplement. It commissions articles from leading scholars on current trends and research in the History of Art. It also provides book reviews, topical news, and a list of current art exhibitions in the London area. In addition. the Review gives full coverage of the programme of lectures, study days and visits organised by the society, and it offers the Members' Forum - a platform for debate for members. The journal is provided free to members of the society as part of their membership package. It is also held in the Birkbeck Library, where access to back copies may be obtained.
|
2008 Review |
||||
| Renaissance Faces | Elena Greer | |||
| The Embellishment of the Crystal Palace | Mike Davies | |||
| A Little-known Drawing from the Workshop of Vittore Carpaccio | Caroline Brooke | |||
| Henry Tonks: Artist and Surgeon | Mike Smith | |||
| Paint and its use in the Restoration of Buildings | Catherine Hassall | |||
| Book Reviews | ||||
| Mirror of the World; A New History of Art by Julian Bell | Elizabeth Lowry-Corry | |||
| Edvard Munch: behind 'The Scream' by Sue Prideaux | Susan Richards | |||
|
2007 Review |
||||
| Renaissance Siena: Art for a City | Simona Di Nepi | |||
| Sir John Soane's Museum: 'The Union of Architecture, Sculpture and Painting' | Helen Dorey | |||
| Angst and plaster: aspects of post World War II British sculpture | Mike Smith | |||
| Lord Capel's Garden | Celia Fisher | |||
| Strawberry Hill: its past and its future | Michael Snodin | |||
| Book Reviews | ||||
| Architecture and Society in Normandy 1120-1270 by Lindy Grant | Anne Scott | |||
| Sir Ninian Comper — An introduction to his life and work with complete gazetteer by Anthony Symondson and Stephen Bucknell | Claire Andrews | |||
| Review Two - December 2007 | ||||
| The First Emperor: China’s Terracotta Army | Elizabeth Lowry-Corry | |||
| Dr Kay’s legacy - Précis of theses | ||||
| The Venice Biennale and developments of technology in art |
Francesca Franco |
|||
| Films Bring Art to the People: The Origins and Developments of the Film on Art in Post-War Britain (1940-1980) |
Katerina Loukopoulou |
|||
| Places of Projection: Re-contextualising the European Experimental Film Canon | Maximiliane Zoller | |||
| A Space for the Imagination: Depicting Woman Readers in the Nineteenth-Century City | Kathryn Brown | |||
|
2006 Review |
|||
| Holbein in England | Tim Batchelor | ||
| Why Medieval Old Sarum? | John McNeill | ||
| The Goldsmith’s Art in Renaissance Italy | Donal Cooper | ||
| The Illuminator: Master in Miniature? | Valerie Nunn | ||
| Velázquez | Simona Di Nepi | ||
| Book Reviews | |||
| The Mirror of the Gods: Classical Mythology in Renaissance Art, by Malcolm Bull | Ann Halliday | ||
| The Vexations of Art Velázquez and Others, by Svetlana Alpers | Elizabeth Lowry-Corry | ||
|
Review Two - December 2006 |
|||
| ULEMHAS IN 1981 - how we started | Claire Andrews | ||
| The 2006 ULEMHAS Study Tour | Anne Scott | ||
|
2005 Review |
|||
| Samuel Palmer (1805-1881) Vision and Landscape Exhibition | William Vaughan | ||
| Turner as Pupil and Teacher | Andrew Wilton | ||
| Leonardo da Vinci’s Portrait of Isabella d’Este | Francis Ames-Lewis | ||
| Some Collectors and their Collections at Glynde Place | Cara Bird & Elizabeth Lowry-Corry |
||
| How Reading History of Art can Change Your Life | Claire Gapper | ||
| Book Reviews | The Medieval Stained Glass of Wells Cathedral, by Tim Ayers | Anna Eavis | |
| Hawkwood: Diabolical Englishman by Frances Stonor Saunders | Liz Newlands | ||
|
Review Two - December 2005 |
|||
| Dr Phyllis Kay 1902-2005 | Lynne Mirrey | ||
| An Experimental Study Trip - Ashmolean Museum, May 2005 | Anne Scott | ||
| ULEMHAS Study Trip - Rome, April 2005 (with John McNeill) | Elizabeth Lowry-Corry | ||
| The Portrait Miniatures at the V & A | Ann Halliday | ||
|
2004 Review |
|||
|
Raphael: From Urbino to Rome |
Carol Plazzotta | ||
|
Limoges Painted Enamels |
Erika Speel | ||
| Rewriting His Story: Feminist Art Practices Since the 1970s | Catherine Mason | ||
| Hogarth and Garrick: The Artist, The Actor and The ‘Imitation of Nature’ | Catherine Parry-Wingfleld | ||
| The Future of History of Art and Architecture at FCE | Elizabeth McKellar | ||
| Book Reviews | Westminster Abbey The Lady Chapel of Henry VII edited by Tim Tatton-Brown & Richard Mortimer | Anne Scott | |
| Cellini: Artist, Genius, Fugitive By Derek Parker | Ann Halliday | ||
| Review Two | |||
| Professor Peter Lasko CBE 1924-2003 | |||
| West London Walks | Donald O'Connell | ||
| Exhibitions Review |
Peter Paul Rubens Saved (NACF) |
Rosalind Ross | |
| Fleming Collection | |||
|
2003 Review |
|||
|
Preview of the Late Gothic Exhibition |
Eleanor Townsend | ||
|
The Battle for Culture: Tradition & Modernism in Fascist Italy and Germany |
Anna Leung | ||
| The Travels of Correggio’s School of Love | Norman Coady | ||
| Commissioned Visions | Roger Tolson | ||
|
Platonic Geometry and the Cathedral of Bourges |
Anne Scott | ||
|
Recollected in Tranquillity: the founding of ULEMHAS |
Claire Andrews | ||
| Book Reviews | Hand, Head and Heart Samuel Carter Hall and The Art Journal by Hazel Morris | Claire Andrews | |
| Medieval Architecture by Nicola Coldstream | Elizabeth Lowry-Corry | ||
| The East Cloister Walk of Saint-Aubin at Angers by John McNeill | Anne Scott | ||
| In this issue Claire Andrews describes the founding of the University of London Extra-Mural History of Art Society — ULEMHAS. A decade later, when another funding crisis caused the abolition of the Extra-Mural Department, Birkbeck College took over its Diploma programme, which now flourishes as part of the Faculty of Continuing Education. | |||